Showing posts with label philosophy. Show all posts
Showing posts with label philosophy. Show all posts

Thursday, February 1, 2024

Interpersonal Olfactory Intelligence


One of the few people who really understands the intersection of language and smell, and what they mean for the truly scientific pursuit of knowledge in a field of study that refuses to submit to objective observation --

Meditations on Scent With Andreas Keller, the Socrates of Smell
Mar 2023, High Snobiety

"It’s very difficult to find a middle ground in talking about smell that conveys what's interesting and fascinating to you in a way that other people can understand,” Keller notes. “The limited vocabulary, the differences in perception between people, the emotional connection to smells… One way is to describe what a smell does to you, how it makes you feel – but that probably tells us more about yourself than about the smell.”

Unrelated image credit: This is not a picture of Andreas Keller, and it's not even a real person, because it's artificially generated. It's a "Rave Party for Jesus Birthday." Also pay artists for their work. 


Thursday, January 9, 2020

The Enlightened Nose-Brain





Scientific enlightenment may one day catch up with our primordial sense of olfaction, but not without some serious philosophical paradigm-shifting.

That's what people like Ann-Sophie Barwich are for. She specializes in the philosophy of smell, disentangling the hard problem of what a thing really is. What makes this problem hard is that over time, our society has become so "enlightened" by science, that we assume everything is understood, that we've got everything figured out. Maybe not re-usable rockets and bioethics, but the basics, like vision and olfaction for example, are all figured out, right?

Wrong. We assume we know how things work because of ideas that persist in society, ideologies about what things are, what they're supposed to be, and what we do with them. How about oxygen? That's a good story. We used to think air was empty, go figure!
And what is a chair? Where did they come from? How did we develop the standard dimension of seat height?

There are times when things change, for example when the majority of your society becomes overweight, and a chair means something different all of the sudden. Or there are cases when things were not really figured out in the first place. Like oxygen. Also like olfaction.

We think we know how olfaction works, for the most part. But as the idea develops, it becomes evident that we might be missing something. In fact, we might be missing a huge part. And the only way to progress might be to rethink the whole thing.

Smells, they vaporize into the air, waft into our nose, light up some neurons, and bam, a smell is born. Sounds simple enough. But once we try to investigate that experience further, it starts to fall apart. There's hundreds of receptors and each is controlled by its own gene, and each one of us has a different combination. Also, the vapors that make smells are constantly changing, hotter-colder, ripening-rottening. Also, the episodic memory network that we use as to interpret smells is wildly varied.

Codifying a universal language of olfaction is impossible, today at least. It's too complicated. But that's where philosophy comes in. Deep thinking on the very basic, the most basic assumptions can lead to paradigm-shifting insights, which can send inquiry into another direction. Thomas Kuhn's Structure of Scientific Revolutions (1962) explains this process pretty well, showing us how the Science of today is a series of revolutions in thought, vast shifts in paradigms, that re-constellate and re-crystallize thoughts, facts and ideas in new ways. These new paradigms enliven investigation, and reconsider previously less-popular pursuits.

Science philosopher Ann-Sophie Barwich is on a mission to rewrite the study of olfaction, and thereby to reform our interaction with it.

I'm reading a paper of hers, about odor objects, and about how they don't really exist in the way we think they do. She starts out with a stark and jarring statement:
"Theories of perception suffer from one fundamental flaw: they are theories of vision."
Barwich calls vision the "paradigm sense," and goes on to discuss how this vision-bias has slighted studies of smell by trying to make it fit into a sense that it has nothing to do with.

A reminder -- vision relies on immaterial waves of energy, whereas olfaction, called a "chemical sense," relies on physical contact with physical molecules.

Barwich goes on to jab at many of the commonly-held understandings that we use to construct our model of olfactory perception:
Behavioral function, not idealized stimulus representation, characterizes olfactory perception:
“Stimulus representation isn’t the primary business of olfaction. Rather, its job is solving a problem of valuation, rapidly encoding the biological salience of a stimulus and priming our multisensory representation of it to contextually appropriate action.”
Olfaction, valuation, and action: reorienting perception. Castro JB, Seeley WP. Front Psychol. 2014; 5():299. 
After establishing a criteria for perceptual objecthood, Barwich compares point-for-point why olfaction cannot be investigated through the lens of vision.

Smells are not objects to the mind, not the way visual elements of shape and color and line are objects. I interject here to add that olfactory perception require a body.

Humans are not a brain in a box. We are a brain in a body, and that body has grown with us from birth, and so our brain is integrated into this body, and relies on it (and its memories) in order to make sense out of the world.

Consider the idea of embodied cognition and Moravec's principle. Hans Moravec was a roboticist and pioneer of artificial intelligence in the 1980's. His conundrum asks why higher-order thinking is not that intensive computationally; yet running the sensorimotor suite of the limbic system requires tremendous resources.

Olfaction uses the limbic system in the same way that vision uses its visual cortex, and this makes it an entirely different animal.

Anyway, back to Barwich:
What primarily drives olfactory perception is not discrete, stable odor object formation but context-sensitive decision-making (Barwich, 2017, 2018). After all, the same chemical stimulus can occur in many different contexts, changing its causal disposition (e.g., in a mixture), as well as its meaning and value for the perceiver. It matters profoundly to the perceiver whether butyric acid is encountered as part of food (parmesan) or contaminants (vomit). The function of olfaction is to recognize changes in context and, in turn, affordance of the material stimulus (Barwich, 2018). Therefore, the same physical information of a stimulus can be grouped differently and matched against various cognitive templates. Its perceptual expression must be examined accordingly. Upon encountering olfactory information, the brain essentially has to decide on the grouping, salience, and value of olfactory input by matching this information with learned templates of odor categorization and other cues (cross-modal, verbal), all indicating the context in which a decision about the incoming olfactory information takes place.
 Processes of perceptual categorization, as decision-making, do not to require the notion of olfactory objecthood. Smell is intentional in the sense that it provides information about materials in the world. Its content, however, is not a perceptual expression of olfactory objects but of grouping sensory input into qualitative classes. How perceptual categories are formed is the real question that scientific and philosophical theories of olfaction must tackle next.
Barwich A. S. (2017). Up the nose of the beholder? Aesthetic perception in olfaction as a decision-making process. New Ideas Psychol. 47, 157–165. 10.1016/j.newideapsych.2017.03.013
Barwich A. S. (2018). “Measuring the world: towards a process model of perception” in Everything flows: Towards a processual philosophy of biology. eds. Nicholson D., Dupré J., editors. (Oxford: Oxford University Press; ), 337–356.
image source: zaksakata_blueredandpinkabstractartwork

Notes:
A Critique of Olfactory Objects. Ann-Sophie Barwich. Front Psychol. 2019; 10: 1337. doi: 10.3389/fpsyg.2019.01337

Wednesday, October 18, 2017

Wörter und Sachen

Annoying Orange

Wörter und Sachen means "Words and Things" in German. It refers to a movement in Germany/Austria, in the early 20th century, that insisted we use the etymology of words to study the cultural products named by those words.

It’s also a 1959 book by Ernst Gellner* titled Words and Things: An Examination Of, and an Attack On, Linguistic Philosophy.

The study of the language of smells requires a most astute clarification of the words from the things, which is made most difficult by the fact that smells are the things their words describe. The smell of an orange is an orange. The color of an orange is not. The color of anything is instead white light being reflected off of a surface, the color being the portion of that white spectrum not absorbed into the surface. So the color of a thing is almost like the opposite of the thing.

*Gellner is a personal favorite of mine; I have many posts on my other blog inspired by him or in reference to another work of his, Plough, Sword and Book (1988).



Wednesday, March 22, 2017

Sociology of Smell

Figure 1: olfactory classifications in contemporary Western societies. This is taken from an essay written for Scented Pages, “the virtual library catalogue dedicated to the culture of smell.”


Cosmologies, Structuralism, and the Sociology of Smell
Marcello Aspria, November 7, 2008

Figure 1 is a hypothetical and exemplary sketch of olfactory classification in contemporary Western societies. It represents a (fictitious) cosmology based on smell and morality, in which the 'fragrant' category corresponds with 'virtue', and 'foul' is paired with 'vice'. The examples in each quadrant are arbitrary; they relate to (i) the public dimension of smell, (ii) the body, and (iii) definitions of femininity, respectively. This diagram implies an opposition between 'clean' (B, D) and 'dirty' (A, C), as well as between the 'natural' (A, B) and 'artificial' (C, D) realm. Both axes represent social contrasts: what is dirty or clean, foul or fragrant is as much a reflection of moral values as the opposition between virtue and vice. Hence the differentiation between 'deodorized' and 'sterile' around the center of the diagram, the latter being defined as the 'artificial' counter to the former.

...
Figure 1 may also serve as a comparative tool for collective representations and modes of cultural reproduction. Not to compare the positions of fragrant concepts in the diagram, but rather to analyze the way in which they are related to eachother, and how these positions are produced.

...
Section 3: Classifying smell: the problem of odor taxonomies 

A problem that affects laymen and fragrance professionals alike is the nondiscursiveness of smell. More than half a century ago, perfumer Edward Sagarin wrote about his profession as a "science in search of a language", pointing out that we fail to describe smell by means of exact terms (Sagarin, 1945: 137). Despite significant technological advance in the measurement of odors in recent decades, the creation of a common scientific nomenclature or universal classification remains problematic. Descriptions continue to be based on material analogies (fruity, floral, fatty, etc.) and on metaphors redolent of other senses ("green", "warm", "loud", etc.). In turn, these descriptors are intertwined with the specific cultural context in which they are produced. In a structuralist analysis of odors, one must therefore not overlook the contextual differences in which the nomenclature and classification were produced. Another problem of odor taxonomies, and one that complicates a comparative historical analysis, relates to continuing shifts in the role and meaning of smell through time.

Sagarin, Edward, The Science and Art of Perfumery. First edition. London, New York: McGraw-Hill Book Company, Inc. (1945)

POST SCRIPT

The term 'osmology' means 'study of odors'. It is also used by Classen (1994) as a word play on 'cosmology'.