Thursday, December 19, 2019

Gaia Bots and Plant Pots





It was long before artificial turf and breast implants that humans began losing their connection with nature.

There is a long history of our love affair with Mother Earth, and two variations on this theme for those interested in the subject could be the American Frontier and the English Garden (both circa 1700-1800's). In the former, the West was a force to be feared, explored, and eventually dominated. In the latter, the Garden was a symbol of the picturesque, idyllic and meandering qualities of nature, albeit designed and maintained by human intervention.

The picture-perfect English Garden isn't much different from pretty much anywhere else on Earth – it's all a hybrid. Everything on this planet has in some way been shaped by us. You want evidence? How about the serious debate by geologists trying to demarcate the beginning of the Anthropocene as a geologic epoch. We've been terraforming this place since the dawn of agriculture and have no plans on stopping (carbon dioxide be damned).

This is quite a lofty intro for a post about houseplants. But this is where we start because the myth that "houseplants filter indoor air" is tenacious. It's also a great example of what makes a meme sticky, because it's simple, easy to understand, and common to everyone. It's also wrong.

You can't blame us. We want the outside inside; we're all biophiles! We want it to be true that filling our house with plants will enhance our indoor environment in scientifically-supported, quantifiable ways.

But it's fake news. And in the manner of all news that is fake, the idea that houseplants clean our indoor air is not absolutely wrong. They do clean the air, just not enough to make a difference.

I mean, if you were on a spaceship, where ev-er-y-thing makes a difference, then sure. That's where this all started. Studies done for NASA showed that they could use plants as part of a larger air-cleaning strategy. And there you have it, memetic gold.

(You know what's not mememtically robust? The fact that it's the soil microbes doing all the dirty work, not the plants themselves!)

The bottom line is that the amount of clean, fresh air that can be delivered by a typical mechanical exhaust ventilation system is a few magnitudes more than that coming from our vegetal ancestors. Or, if you really insist on bringing the outside in, open a window.

-image source link

Post Script
We start domesticating plants 10,000 years ago as a part of the Neolithic or Agricultural revolution. The ancients of Egypt, India, China, Greece and Rome all put plants in pots, but most of these were used to decorate outdoor spaces (think Hanging Gardens of Babylon). We can trace the practice of using houseplants back to the 1600's with a book called The Garden of Eden. But Buckminster Fuller's 1967 Biosphere might have a lot more to do with their current ubiquity.

Post Post Script
Our indoor space as urban dwellers is vastly different than that of jungle huts. Obviously. But what you may not have known is that our walls and windows trap so much of our own metabolic excreta that we live in higher concentrations of our own filth than someone in a thatched hut.

You can’t really measure “filth” in this context, so the above statement is more hyperbole than fact. However, this collaboration between the Microbiology and Anthropology Departments at Rutgers University, New Jersey, painted a good comparative picture of our respective indoor environments.

They studied a remote Peruvian jungle village of thatched huts with no walls, a Peruvian rural town with wooden houses sans indoor plumbing, a Peruvian city of 400,000 residents, and the two million-strong metropolis of Manaus, Brazil.

They found that we have a higher diversity of chemicals from medications and cleaning products and of fungi associated with human skin, the mouth and the gut, whereas the rural and jungle homes had a greater variety of outdoor-associated bacteria and fungi typically found in water and soil.

This is because the walls themselves trap all this stuff as it floats in the indoor air. We also have warmer, wetter air than a jungle hut, as well as less sunlight and less fresh-air exchange. This plus the tons of dead skin cells we leave lying around all make a great incubation-chamber for fungi. So despite the fact that urban dwellers clean more frequently, their indoor environment is teeming with micro-organisms that live in and on our bodies.

The end result is that our homes, in the more urban areas, and in more modern times, are more like the human body than the body of Mother Earth.

Home chemical and microbial transitions across urbanization, Nature Microbiology (2019).

Walls talk: Microbial biogeography of homes spanning urbanization, Science Advances

Notes
Nov 2019, phys.org

1988, NASA and BC Wolverton.

RL Orwell, RA Wood, MD Burchett, J Tarran, F Torpy.
Water, Air, and Soil Pollution. 177 (1–4): 59–80. 19 September 2006.
doi:10.1007/s11270-006-9092-3.


**Buy Sir Hugh Platt's original 1675 book Garden of Eden, here for $3,500

Tuesday, December 10, 2019

The Evolving Artificial Organism



A taste of things to come, researchers are finally firing-up an artificial organism to record how it evolves from primitive unicellular origins to hyper-plexed associative memory network.

The artificial organism unfolds in a virtual world at over ten-thousand generations per hour (kind of hard to do in real life). We can then see how higher beings develop the ability to create associations, and eventually use this knowledge to build more intelligent robots.

Good thing olfaction is the prototypical primordial sensory system, because that’s why this new research is being posted right here. But think about this for a moment – there is no artificial nose. We already have the seeing retina, the hearing cochlea, and even a hand that feels. The nose however, has not been reverse-engineered.

There is a true challenge in replicating the sense of smell, and that is because our sense of smell is programmed by our autobiography. Smells don't mean much to us outside of our subjective experience with them. You just can't upload a dictionary of smells into an electronic nose and expect it to recognize random odors in its environment.

The only way you could do that is if you had a robot that grew up, just like a little kid, with multimodal experiences, social integration, and existential episodes, all associated together and built together into the tangled ball of nerve fibers that we call Self.

Your robot would then have its own limbic system, programmed by a childhood of interaction with the world. It would have to develop a life of its own, an autobiography. This self-identity would then be the substrate upon which the odor network is built. It could then recognize odors, as they would stimulate physiological and emotional responses and associative episodic memories.

Because smell is so tied to our limbic system, it requires a body in order to work. A cerebral organoid isn't a body per se. And neither is an artificially intelligent neural network. And neither is a robot that “comes to life” as a fully-formed adult, all booted-up and ready to go. Humans don’t do it like that. You can’t have a self without a history. (See Patient HM for more on that, however.)

What this new research now reminds us, is that not only does an artificial intelligentity need a body in order to smell, it also needs a lifetime of learning as well.

Notes:
Sep 2019, phys.org

Anselmo Pontes et al. The Evolutionary Origin of Associative Learning, The American Naturalist (2019). DOI: 10.1086/706252

Post Script:
Finally seeing someone recognize the utility of studying olfaction in the context of machine learning artificial intelligence:

"Srinivasan says he will focus on how noise or variability in odor coding determines the balance between discrimination and learning, explaining that the variability the duo is finding in their work might be a mechanism for distinguishing odors, which could be applied to making better machine learning or AI systems."
July 2019, phys.org

Tuesday, December 3, 2019

Surprise Surprise


It's a problem for many a fragrance-wearer – you trial and trial vial by vial until you find that one scent that is totally you. It smells great in the beginning, the middle, and at the distant end of the day. You even get compliments when you wear it.

But then, this cruel phenomenon of odor detection takes over. It's called nose fatigue, and the way it works is that the more you smell something, the less you smell it. It's the reason Febreeze didn't work in its first instantiation as a deodorizer (people can't smell when their own house needs deodorizing) and it's the reason people tend to bath themselves in their own perfume.

It does make sense, and is similar to the fact that you don't always hear your refrigerator buzzing, or a clock ticking (do people still have ticking clocks in their house anymore?). You also don't see the mess of bills that has all but hidden your kitchen table (do people still get paper bills?).

It's all about bandwidth, a word which has expanded its definition to now refer to "attention span." We don't have the bandwidth to notice every stimulus that wiggles our receptors.

But there is a product that aims to sidestep this problem. They devised a snappy marketing product at last year's Consumer Electronics Show in the form of an advent calendar. The idea is to first offer you a bunch of scents, to establish a preference profile. That's the 25 Days of Christmas part.

In this video, a reporter from the BBC samples the advent calendar. It's ironic how he smells all two-dozen scent tabs at once to gauge his "scent profile," because that generates a lot of nose-noise, making it hard to gauge preference. Hence the clever marketing approach to package it as an advent calendar, which is meant to spread the sniffs out over many days.

The real value comes from their smart-diffuser, which combines your preferences in differing amounts to provide you with a dynamic environmental aromacloud that doesn't negate its own signal over time. Every day is a surprise!



Notes:
CINQ makes intelligent fragrance diffusers that allow you to mix and match from 5 pre-filled fragrance capsules to create your own Personal Fragrance Profile - the combinations allow you to design combinations that have never been smelled before.

Jan 2019, BBC News

Tuesday, November 26, 2019

On the Designer's Coffeetable





I am very excited to announce a new book about scent coming out on November 26 in the EU. (February 11 in the US.)

It's called The Essence: Discovering the World of Scent, Perfume & Fragrance, and it's being published by Die Gestalten Verlag, who is known for their 600 books on art, architecture, design, photography and typography.

It's filled with interviews, stories and encyclopedic information from some of the most interesting and important people in the world of smell. I was also lucky enough to contribute a couple essays on the neuromechanics of smell and the smell of the human body.

Having spent the majority of my career instructing on the principles and elements of visual design, I must say, this book is a visual powerhouse.

Gestalten is perhaps the only publisher where all the editors are professional designers. And it definitely shows. From the photographs to the layout to that airtight, neo-Bauhaus, Leger-esque cover, this whole book is a barbituate-drip to the visiopathic ocd cultural consumer.

What's even better -- it's not about visual design at all; it's about the wide-open world of olfactory indulgence!

I'll let the press department take over from here:

About the Book
The empire of scent: explore the realm of perfumes, smells, and aromatic incense to reveal the enduring allure of fragrance. Scent is a hugely under-studied sense, compared with the other senses, both neurologically and psychologically.

Scents are linked with our most cherished memories of life without the ability to smell is unimaginable. The Essence: Discovering the World of Scent, Perfume & Fragrance contains meticulous research on the mystery of scents, profiles of those pushing the envelope of science and fantasy, and the history of a royal pursuit that have shaped the perfume industry into what it is today. From the lavender fields of Provence and the laboratories where perfumes are created, to incense producers in India.

Meet the trailblazers shaping the future of perfumery as The Essence explores the vital role that technology and scented products will play in the 21st century. A study in 2014 by researchers at the University of Lyon found that aging human stress levels were reduced and moods improved by manipulating the environment with a pleasant odor. There will be a revolution in the health and wellness industries, where a renewed focus on the conscious and subconscious power of scent has gained traction in recent years.
According to Olivia Jezler, the founder of design and fragrance innovation consultancy, Future of Smell, "Scents will be used to enhance cognition, to retain and recall information and even to control the way we feel and experience the world."
What to Expect
All you wish and need to know about the perfume and fragrance industry. Where are the scents from? Why are they so important for us? Who are they designed for and by whom? Investigates fragrance families, raw materials from different regions of the world, the chemistry of smelling, the interaction between smelling and memory.

Featuring designers, start-ups, creative artisans, and manufactories, from young independent perfumers experimenting with genuinely natural fragrances to brands developing artificial scents for their products.

Including a guide to the best perfume meccas worldwide. With essays, interviews, stories, infographics and stunning photography.
“Smell is the deepest sense, it is rooted in our limbic system. It is the old, animal part of our brain, the center where emotions rise and where memories are located."
-Wolfgang Georgsdorf, artist and founder of the Osmodrama festival in Berlin
***
The Essence: Discovering the World of Scent, Perfume & Fragrance, edited by Robert Klanten, founder and CEO of gestalten as well as Carla Seipp, fragrance writer, is the first publication by gestalten recognizing the world of scent and the figures who shape the field.

Find the book here on gestalten’s page, under New Releases.